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> If practice is not fun I just don't play, and I don't get better.

But what if your goal is to be one of the greatest pianist alive? Then we have to dissect what is "not fun". There are moments of neutral practice, or "monotony", which is what I think the article touches on. The idea that sometimes, practice can feel more like a chore than a pleasure. The article speaks about in this context, you have to push through the negative (or apathy) to continue practicing.

Last year, I had the privilege to attend a seminar in Aikido where two individuals were awarded the rank of godan (5th degree black belt). In our organization, the minimal amount of time required to be eligible for the rank is just over 18 years (and the requirements are increasing next year). One of the individuals spoke about how Aikido and training was much like a marriage - sometimes you enjoy coming to class, sometimes you hate it, and sometimes it's neither feeling; however, much like a marriage, good times or bad, you have to continue working on it.

I've spoken on here before as well about the element of discipline/perseverance/grit in terms of improving oneself. Angela Duckworth has studied the effects of grit across multiple fields, one in particular was grit in cadets at West Point. Higher levels of grit were more likely to complete the program and good leaders were more likely to have higher grit scores.

"Fun" is still a loose, ill-defined term. You can have fun being pursuing a task for leisure or for mastery.



In piano notes by Charles Rosen, he has a different viewpoint. Professionals should be those people who physically can not stop themselves from the act of playing. If you aren't obsessed with the act of touching your instrument, in his view you won't have what it takes to continue drilling and technically improving. For Rosen, who I'd say is a tad over serious, fun doesn't matter to professionals.

After playing 20 years myself, I must say I'm not nearly as obsessed as the 5 or so pianists I know who play for a living. I play folk and pop, classical I'd say is merely a hobby to me, therefore I'm a scientist in my day job.


great musicians always enjoy practicing- it is like making something new when done properly. If they arent enjoying it, they know they must get creative about it— otherwise it’s mindless.


True, though I'd still say the individual day-to-day practices can sometimes become dull. As you mention, this is where I think a lot of "fun" activities form - experts looking to spice up a particular activity. I like to train some kata by going as slow and precise as possible, then as fast and reckless as possible, THEN settling for normal speed.


This is not the argument this article is making.




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